Painted

Various brushes used for painted slip technique.

The history of ceramic slip decoration reaches far back into antiquity.  Much as ancient pottery emulated more valuable vessels in precious metals, white slips were often applied to darker clay bodies in an effort to increase “value”.  Many inventive uses for slips have evolved through the centuries, such as Cizhou black and white slip carving, Chinese “cut-glaze” slip with resist patterns, Korean slip inlay and reverse inlay patterns, and the dramatic hakeme brushed slips of Japan.

Similar to hakeme, the Painted series uses brushes to apply slip.  But Painted removes the “ground” of the underlying thrown form, leaving behind only the slip.  Thus the decoration determines the shape of the vessel—the form is painted.

 

Single-Stroke

Dish. One-stroke form, five lobes. 30cm dia, 8.5cm high. Porcelain with celadon glaze.

Dish. One-stroke form, six lobes. 33cm dia, 8cm high. Porcelain with celadon glaze.

Side view of One-stroke form, five lobes.

Small one-stroke dish

Side view of small one-stroke dish

Process

One-stroke porcelain form at leather-hard stage.

Detail of one-stroke porcelain form at leather-hard stage.

 

Multi-stroke & Crosshatch

Brushtroke dish

Brushstroke dish, side view

Detail of brushstroke dishes

Side view of short-brushstroke dish

Detail of short-brushstroke dish

 Floral

Lobed bowl

Side view of lobed bowl

Detail of lobed bowl

Detail of floral brushed slip decoration before firing.

 Detail of translucency after firing.

Side view of lobed bowl

Top view lobed bowl

Detail of floral bowl

Lobed bowl

Side view of lobed bowl

Detail of lobed bowl

Lobed bowl

Side view of lobed bowl

Large painted bowl

Detail of large painted bowl

Floral dish

Side view of floral dish

Detail of floral dish

Side view of lobed stem dish

Large floral dish

Song-style dish. 25cm dia, 6.5cm height. Porcelain with celadon glaze.

Plate with floral rim